Marlena Kudlicka

Elements of Peaceful Engagement, 2017

Exhibition view at ŻAK | BRANICKA

Elements of Peaceful Engagement, 2017

Exhibition view at ŻAK | BRANICKA

sugar in the ashes. Official Capacity, 2017

Exhibition view at La BF15, Lyon

sugar in the ashes. Official Capacity, 2017

Exhibition view at La BF15, Lyon

The Admirable Number Pi (group show), 2015

Exhibition View at ŻAK | BRANICKA

protocol of errors on.e, 2014

Exhibition view ARCO.The protocol of errors. on.e project constitutes a protocol structure, collecting and categorizing the different meanings of error found in language, statistics, and logic. The collected register, which evokes a notion of error, is the starting point for a project that contains sculptures, collages, and drawings. The artist wonders where errors originate. She is interested in the technological mechanisms (machines) and mental mechanisms behind language errors. The protocol of errors. on.e series was specially made for the Arco Fair in Madrid, where Kudlicka’s work was shown alongside one of the classics of Polish concrete poetry, Stanisław Dróżdż.

the weight of 8, 2013

Exhibition view ŻAK | BRANICKA.Specially prepared for the gallery space, the artist has created an installation consisting of three objects along with a narrative, the key to which is the title of the exhibit. The weight of 8 is a description of the relationship between space and language. The artist says that `Letters and words serve to describe a space, while numbers do the same for its measurements. Words are not, however, capable of precisely expressing something, as they constitute a subjective evaluation, yet numbers code precision. I join both forms in a new language.´

Numbers minus letters, 2012

Exhibition view CGAC.Enameled steel plaster structure. This work deals with uncertainty. Beginnings are processes that can symbolize both failure and successful completion. The juxtaposition of different symbols, letters and numbers is meant to reveal the ambiguity of those values. The minus is an interesting exemplification: it does not only stand for reduction but can also create additional space when it is used as a geometrical element.

one more than 10, 2010

Installation.Painted steel, empty plaster ball wire glass wooden ball with steel Elements of each object are not attached. They rest on each other finding its own balance.

$\'a divided dot\' spatial arrangement for \$

\'a divided dot\' spatial arrangement for \, 2014

©Muzeum Sztuki, Łódź, Poland.Vertical glass, steel vitrines and walls (as sculptures) for over 300 works on paper on 400m2 museum room

$\'a divided dot\' spatial arrangement for \$

\'a divided dot\' spatial arrangement for \, 2014

©Muzeum Sztuki, Łódź, Poland.Vertical glass, steel vitrines and walls (as sculptures) for over 300 works on paper on 400m2 museum room